Jennie + Will
August 2024
Tarrytown, New York
Blue Hill at Stone Barns
Black-Tie Destination Wedding

A Summer Wedding Weekend at

Blue Hill at Stone Barns

Jennie and Will’s wedding weekend was built around the things that mattered most to them: family, tradition, exceptional food, personal style, and time together.

HUdson Valley, ny

Jennie & WIll

The celebration began the evening before at The Abbey Inn & Spa, then continued at Blue Hill at Stone Barns for a wedding day designed by Mudari Creative. Summer rain ultimately moved the ceremony beneath the pergola. But this created an unexpected intimate setting surrounded by flowers and the landscape of the property. Jennie wore Vivienne Westwood with the cathedral Galaxy Cape for the ceremony and later changed into vintage Chanel, while Jewish traditions, an extended dinner, and a packed dance floor carried the celebration late into the night.

What I love most about this wedding is how layered it felt. It was beautiful, certainly, but the beauty came from more than design. It came from the way the weekend and the experience were considered as a whole.

a Weekend rooted in place

the abbey inn and spa

The wedding weekend began at The Abbey Inn & Spa, where Jennie and Will gathered their families and closest friends for dinner overlooking the Hudson River the night before the wedding.

The design drew inspiration from Renaissance still-life paintings, particularly the abundance and composition of Dutch food paintings. Fruit, bread, vegetables, florals, and small bites were arranged almost like edible still lifes — layered, sculptural, and intentionally a little opulent.

It gave the evening a completely different visual language from the wedding day. Rather than traditional floral-heavy rehearsal dinner décor, the food itself became part of the design. The tables and displays felt painterly and generous, which made the entire room feel immersive without feeling overly styled.

The rest of the evening unfolded naturally around dinner, cocktails, conversation, speeches, and the anticipation of the day ahead.

family formals the night before

One of the most practical decisions we made was photographing Jennie and Will’s larger extended-family portraits during the rehearsal dinner rather than on the wedding day.

It protected time on the wedding-day timeline and gave everyone more room to actually enjoy the celebration. But it also created photographs that feel more versatile than a traditional extended-family wedding portrait. Because everyone was dressed beautifully but not formally arranged around the bride in her wedding gown, the images feel more like elevated family portraits — photographs that relatives might genuinely want to frame in their own homes.

It is a small timeline shift, but one that can make a meaningful difference in both the wedding-day experience and the photographs that come from it.

fashion as storytelling

Jennie’s wedding wardrobe was one of the strongest visual threads of the weekend.

For the ceremony, she wore a Vivienne Westwood gown with the Galaxy cape and blue Manolo Blahnik pumps. The sculptural draping of the gown felt particularly beautiful against the stone architecture and gardens at Blue Hill, while the cape added movement without overwhelming the simplicity of the dress itself.

Later, she changed into a vintage cream Chanel tweed mini dress with cream Chanel pumps for the reception. It was a completely different look, but still felt unmistakably like her.

I always love when fashion becomes part of the storytelling rather than something treated separately from the wedding. The clothes change the way a person moves, the energy of the photographs, and eventually even the rhythm of the evening.

Michelin star hospitality

One of the things Blue Hill at Stone Barns does especially well is anticipate what the couple needs before they have to ask.

Jennie had a personal bridal attendant throughout the day to help carry her train and bouquet between locations, fluff her dress before portraits, and make sure she stayed fed, hydrated, and comfortable as the timeline moved forward.

It sounds like a small thing until you experience how much mental space that kind of support creates. Nothing feels rushed, and the bride is not constantly worrying about where her flowers are, whether her train is dragging through the grass, or when she last had something to eat.

Blue Hill’s hospitality reputation is not limited to the dinner table. That level of care is built into the entire wedding-day experience.

wedding portraits

Blue Hill at Stone Barns gives us the best of both worlds for portraits: incredible architecture and landscape, but enough movement and space that the photographs never have to feel overly posed.

We used the stone buildings, hydrangeas, open lawn, garden paths, and covered archways as natural backdrops, letting Jennie and Will move through the property rather than stopping them for a series of static setups.

The result is a portrait gallery that feels polished and editorial, but still relaxed and connected to the place. It’s elevated without losing the ease and spontaneity of the day.

elevated, organic portraits at BHSB

A Ceremony Reimagined

Summer weather changed the original ceremony plan, and the team moved the celebration beneath the pergola at Blue Hill at Stone Barns.

It could easily have felt like a compromise. Instead, Mudari Creative transformed the rain plan into one of the most memorable spaces of the weekend.

Flowers, designed by Song of Wild and Birch, lined the aisle and climbed through the structure, creating a setting that felt almost as though it had grown naturally from the surrounding gardens. Guests were gathered close, the architecture framed the ceremony beautifully, and the entire space felt intimate without feeling small.

Good wedding design is not just about how a room looks when everything goes exactly according to plan. It is also about knowing how to respond when it does not.

rain plan under the pergola

Jennie and Will’s Jewish traditions were interwoven throughout the day rather than treated as isolated ceremonial moments.

Before the ceremony, they gathered with family for the ketubah signing. Later came the ceremony beneath the pergola, followed by the hora before everyone sat down for dinner.

Those moments brought an entirely different kind of energy to the photographs. There is intimacy in the ketubah signing, ceremony and family moments, and then suddenly movement, noise, laughter, and chaos when the hora begins.

That contrast is part of what makes documenting a wedding like this so rich. The story moves constantly between quiet ritual and uninhibited celebration.

Tradition & Celebration

Jennie and Will did not have a traditional wedding party, and originally they were not planning to do wedding-party portraits at all. But they are both incredibly close with their siblings, their siblings’ partners, and a small circle of friends who are essentially family.

Because we had already handled the larger extended-family formals the night before, the wedding-day portrait time never became a checklist. We were not trying to gather thirty people, locate missing relatives, manage children, or work through a long series of required combinations.

Instead, we had time to photograph the people they actually wanted to be with.

That meant relaxed group portraits, spontaneous combinations, and even recreating funny childhood photographs with Will and his twin sister. The whole thing felt less like “formal photos” and more like making pictures with the people who know them best.

That is the real benefit of moving the big family portraits to the rehearsal dinner: the wedding day opens back up. The portraits become less about obligation and more about connection.

Portraits With Room to Breathe

the art of dinner

Dinner at Blue Hill at Stone Barns was not simply another item on the wedding timeline. It was part of the reason the venue mattered.

The experience of being there is deeply tied to food, seasonality and the landscape surrounding the property, and Jennie and Will allowed dinner to have real space in the evening.

Guests gathered around long tables surrounded by candlelight and loose, garden-inspired flowers designed by Mudari Creative. Courses arrived slowly. People talked. Glasses were raised. Speeches unfolded between dishes.

Some of my favorite photographs from the entire wedding are not traditional “wedding moments” at all. They are plates arriving at the table, hands reaching across dinner, guests inside the kitchen, half-finished glasses, candles burning lower as the night continues.

Those details are part of the memory too.

An EVening to Remember

Once dinner ended, the formality of the evening disappeared quickly.

Jennie changed into vintage Chanel, the room filled, and the rest of the night became dancing, cake, hugs, raised hands and the kind of photographs that can only happen once everyone has forgotten the camera is there.

That progression is one of my favorite things about photographing a full wedding weekend. By the end of the night, everyone knows me. I know the families. I know which relationships matter, who is likely to pull whom onto the dance floor, and where the emotion is going to happen before it happens.

The photographs become less about documenting a schedule and more about documenting the people inside it.

Explore more of my approach to destination wedding photography.

Planning a wedding Weekend

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I photograph multi-day weddings for couples who care equally about design, experience, and the people gathered around them. If you are planning a celebration at Blue Hill at Stone Barns, the Hudson Valley, or at a destination meaningful to you, I would love to hear what you are envisioning.

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